Build your skills and make new friends—attend a conference!

Conferences are not just for experienced calligraphers. People from all creative backgrounds can grab the opportunity to go to national and international conferences to learn from expert teachers, artists, and calligraphy practitioners.

Read here how one first-time calligraphy conference attendee took a leap of faith and attended Letter Works 2016. 

Check back often—we will be updating this page as new opportunities come across our radar.


Seattletters 2018

July 14-21, 2018

Bellingham, WA

Like every international conference, our focus is on letters; and with that in mind, we have planned classes that feature letterforms and letterfunction. One complements the other, the “yin and yang” of calligraphy; how it looks and how it works. The success of two earlier, smaller conferences we put on that were all about black and white letters planted the seed for this larger and more inclusive event. We hope that you will find your own passion in the variety of letterforms, and how to use them in your own expressive art.

Sponsored by Write On Calligraphers

IAMPETH Annual Conference 2018

August 6-11, 2018

Milwaukee, Wisconsin

The IAMPETH Annual Conference, for IAMPETH members only, is a wonderful week spent learning the pen arts with some of the best penmen and calligraphic artists in the country.

Choosing A Show of Hands

by Georgia Greeley


What led me to this particular calligraphy conference nestled in the Blue Ridge Mountains?  Am I a calligrapher?  Not yet.  Did I know anything about this organization?  Not really.  So why did I do it?

    Three years ago I decided to do one thing each year which would stretch my skill and knowledge as an artist and writer.  It did not always have to be something huge.  But wanted to take action.  I needed to step outside of my comfort zone, try new things, be willing to play, fail, and learn.  A Show of Hands did all this and more for me.  It was a leap of faith well worth the possible fall.


    And I fell into the hands of Yukimi Anand.  I learned multiple ways to make marks on paper, to abstract letter forms, to look at nature and see colors and textures differently.  Yukimi demonstrated varied techniques, traditional tools, homemade tools, and how to use natural objects—stones, seeds, sticks—as writing tools.  She overflowed with knowledge, enthusiasm, and generosity while sharing her skills and her process.


    I also saw an overview of the vibrant and active world of calligraphy, both nationally and internationally.  I sat at my meals in the dining hall next to instructors, experienced calligraphers, designers, painters, quilters, and calligraphy beginners like myself.  We talked nonstop.  The three hours of “Show and Share” at the end of the conference, displaying work from all the workshops taught, ran the gamut from foundational calligraphy hands and concepts to experimental work.  It was similar to going to an art museum and being overwhelmed by more visual stimulation than could possibly be absorbed in one day, like an unbelievable sugar high on beauty.

    Would I do it again?  In a heartbeat.  Yet I expect I’ll be able to create new work for months, if not years, on what I learned in one week.  As my husband and I drove home from North Carolina, I saw the shadows and light and colors of the earth differently than I had on our trip down South.  What a remarkable gift for one week of exploration and hard work.  What a blessing.